I do get up in the morning; get dressed, have breakfast; clean the dishes afterwards and watch some news. I don’t go to concerts anymore or much less than I did in Halifax. It was terrible there, where every street, every park, every store reminded me of us being there together. It is terrible here, where everywhere I go, I remember when younger us walked together. You are everywhere, and yet I know that you are nowhere. You are gone. Forever.
It was going to be easier they said, and I thought it would. It is not, or it is by the virtue that you can get used to even chronic pain. But the pain is not lesser and it is tiring all the same. After a while you are just tired of that chronic pain. You have had enough and you want to be gone, too. What is the point of maintaining that, which will never ease, never go away?
Oh, I know that mine is not special or rare and distinct. But suffering of others does not ease your pain. That would be a sick perversion. I know that you are no longer have any worries, unhappy days or sadness. You can’t ‘cause you are gone, nonexistent anymore. But it is the memory of you that pains me so much. I am the only holder, only chalice where you exist. For as long as I live, I will be that chalice containing you, and the pain.
Right now I am in the process or refurbishing my life again. Moving to place where we used have our happiest days, decades actually. No, not some sort idyllic frolicking in flowery meadow. A life with its bad days, but live full of love, nonetheless. It did exited me, when I got that idea, and I got struck with realization that I will be walking these trails, street, places as alone, as every day I did since you were gone. Yet, I’m looking forward to it. Strange. Somehow, can’t explain logically how it works, that chalice full of pain will not be as heavy? Or I will understand perhaps better why it is so heavy. Understanding a process might make it easier to go through it.
Yes, there is also that element of egoistic pleasure of ‘coming back home’. Sort of making it the full circle. Of course big part of that circle would be reconnecting with my old friends. Very dear people: older, younger, my age. Somehow our life and love did not preclude both of us from pursuing our own interests and social circles. Much more on my part perhaps, not by design though or special privileges. I just did.
It will not make me happy in a conventional meaning of the world. It will however (or not?) allow me to live again, smile at times. Smile honestly, not politely.
I have been silenced, my words escaped me. For the first time in a long while I have that strange feeling. Are there subjects not worthy a comment, an opinion? Gosh, no! Climate catastrophe with 2024 declared the warmest since temperatures were recorded; Trump and his enormous threat to peace and world stability; Ukraine failing under the yoke of huge armies and armaments of Russia, and as a side reflection of that – posing a growing threat to the safety of Polish borders. Perhaps European war is inevitable? War in Europe would be catastrophic beyond comprehension.
But I don’t have to add anything to these subjects. They only captivate my interest, worries for a moment. Like some side show on the peripheries of reality. My reality.
Ensuing grief? I’m not sure if this is just grief anymore. I am gradually loosing an interest in all of it, and I do mean: in all of it, the world around me. It is, I’m in it, but I’m outside of it.
Poetry still has some weight, some meaning, but even that meaning changed.
Our time
Do I write words or
do I write meanings?
What else is there more
in search of being?
To look outward to
world and it’s people
or inward for you?
Meadow, church steeple?
But, if I gaze to
stars, then Venus I
choose in hue of blue!
For yours, our divine
time we had for us,
when the world was mine.
(by B. Pacak_Gamalski, 2025)
Does that sonnet tell of me, does it fill me still to the brim of my soul and heart? It does in some way. But in some, I still yearn the company of friends. Of faces dear and voices warm. Still want to care about them, the dear ones, even if they don’t really need to be taken care of. It is often that the ‘caretaker’ of people needs to give that care more than those, who receive it.
As for the rest of the world outside of my inner one, it seems to be diminishing ever more. Objectively speaking that world is in great need of care – it just doesn’t hold any sway over me anymore or less and less. Is it right to feel like that? I don’t know. I try to avoid passing judgment. They say that you should never represent yourself in court of justice; you should have an advocate to do that. But who are ‘they’, anyway? And if they do pass a judgment – do I really care? Or will I remain silent, without words that used to be plentiful?
But when I will start write just words without meanings – someone please let me know and silence me.
How do you write a poem? Where is it borne? I mean – how the simple act of poetic writing occurs, how is it borne?
Of course, there are poets, who simply give themselves a task of writing a poem or three per day, or per week. When you do have a career as a poet, you are expected to keep writing. You need to publish here and there in a literary paper, every so often to publish a full new book of poetry. It is a job after all to maintain a name in circulation.
On the other hand, there are these impossible poets, who simply don’t give a damn about the business of being a poet. They just write when they feel like. Maybe once a day, or once a week, a month per chance? And some might even get silent for extended period of time. Free spirits.
What interest me in the original question is not how often or how rarely they write, but how the poem, the words are borne. Do you say them aloud? Is it possible that you think: I will write a poem about this or that? Do you seat yourself and start saying that poem aloud and copy it on paper (keyboard)? To be precise – is a poem borne in your soul or in your brain? Is it possible to use a verbatim form of recording a poem?
The other day I used a microphone that ‘types’ the words into a computer by itself (what will they think of next, LOL!). Therefore the poem was deliberately born in the brain. It had no form or ‘sketch’ that I ‘copy’ on paper. It was becoming as I was saying it to the mike. I knew therefore what I was saying but had no idea what the next stanza will be. In a way it turned out to be …a discourse with the microphone. And the microphone was trying to correct my trail of thought, LOL, which I resisted angrily. It became almost a battle of wills. Very amusing. Decided to keep it, as a reminder that it definitely is not my way of writing poetry. It felt almost Kantor-esque, if I can use the workings of great Polish and international theater stages by Tadeusz Kantor.
Here it is, cacophonic, almost angry, but somehow makes (maybe only to myself?) sense.
Bez Ciebie nie byłoby nas, bez nas nie byłoby mnie. Twój pełen dobroci uśmiech był jak wiosenny bez. Cichy, zwykły, nie pretensjonalny, nie sceniczny – a pełen wiosennej woni życia. Moja Primavera.
Rok temu zginął w Gazie wybitny talent literacki Palestyny – Refaat Alareer. Był znawcą historii i literatury islamskiej, arabskiej, palestyńskiej i angielskiej. Ukończył Uniwersytet Islamski w Gazie i brytyjski London University w Anglii.
W dniu swej śmierci z rąk izraelskich żołnierzy Alareer miał ledwie 43 lata. Wraz z nim zginął jego brat, siostra i ich dzieci. Nigdy już nie napisze kolejnego wiersza – ale też jego wiersze nigdy nie zamilkną. Paradoks wojny i zbrodni wojennych – oprawców po latach nikt nie pamięta, ale poetów i ich wiersze się nie zapomina.
Poniższe tłumaczenie jest ze zbioru “If I must die” opracowanego przez Jousefa Aljamala.
Jeśli muszę zginąć,
ty musisz przetrwać
by opowiedzieć o mnie
sprzedać moje rzeczy
kupić jakiś całun
z wiązadełkami,
(aby był biały z długim ogonem)
i niech dziecko, gdzieś w Gazie
patrząc niebu w oczy
oczekując swego ojca znikającego w wybuchu –
a nie żegnał nikogo
nawet własnego ciała
nawet siebie –
ujrzy latawiec, mój który zrobiłeś, szybujący wysoko
Porządkując (znowu, niestety) szpargały natknąłem się na kilka ,paluszków pamięci’ (tej komputerowej, nie ręcznej). Różne tam rzeczy były zapisane, niektóre bardzo prywatne więc nie zdradzę. Ale na jednym nic … prócz wiersza niedokończonego kiedyś. Nie pamiętam już kiedy, bo daty na ogół daję po ostatnim wersie, a ten bez ostatniego, jakby w połowie przerwany. Nie starszy niż dekadę, bo pamiętam dlaczego powstał. To zebrałem się i dokończyłem. Jakże by tak sierotkę samą sobie zostawić?
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