Bogumił Pacak-Gamalski
I have been reading again the verses of my very liked American poet Paul Monette. Yes, of course, his “West of Yesterday, East of Summer”[i]. Thought many times to translate this terrifying and yet so lyrical and beautiful book of poetry. His homage to his lover, his friends, his times. To people, who died of AIDS. As did he.
I asked myself why didn’t I? It was by the end of this modern Black Death when I was a very young man discovering the powerful world of erotica and sex. Of desires and pleasures that shaped human history so much, almost as powerful as hunger for power. Indeed, in many instances, these two forces were intertwined. They still are. It was also a time when gay stable relationships were not seen, maybe not even desirable as a norm or even something to look for. With causal relationships, you avoid the risk of being outed, beaten, maybe murdered, and certainly ostracized. You could easily lose your job for that reason and it was a legally valid reason. Strange times.
On page 10, Monette writes beautifully about Nureyev in his poem
Nureyev doesn’t have AIDS
or so they say but the season’s still off
at least in Paris and all her colonies
as to what to do after dance the gun-
runner Rimbaud is the paradigm post-
art position a little border war
khaki and goat kebabs no mail till the fin
de siècle is safely passed if the feet die
first you must sit out the millennium
(….)
There are so many allusions here to so many things of the gay history in art. Casual readers might not notice the insertion in these lines of a young tragic French poet Arthur Rimbaud – the femme fatale of much older Paul Verlaine.
Four days ago I posted on my Facebook profile a short biography of another American poet, who lived in even earlier times – Richard Bruce Nugent. In 1925 he published a poem “Shadow” in “Opportunity”[ii]. It is an example of early poetry in the USA with searching for its own homosexual identity. I found it powerful, almost painful in how it evokes and stirs my own youth memories. Memories from much later time (almost three generations later), but still pervasive. Fragment of this poem:
Silhouette
On the face of the moon
Am I.
A dark shadow in the light.
A silhouette am I
On the face of the moon
Lacking color
Or vivid brightness
But defined all the clearer
Because
I am dark,
(….)
Then, suddenly I realized that I was not spared that terrifying moment of losing your Love, your soulmate. A different disease by name and origin, nothing to do with viral infection. But the process of slowly dying month by month, and suddenly a very fast process for the last few weeks that makes you an invalid, depending on others in simple tasks. Losing your air, and oxygen. And you panicking, trying to be a nurse but still a lover, partner. Giving him every minute of your life. Battling, battling every day, not accepting. Still, still not accepting. Refusing to accept the inevitable. To the very last moment, when he dies in your arms. And your soul dies with him.
It was as if Time asked for that price that I didn’t pay during the AIDS pandemic. It waited patiently forty long years and said with terrible glee in its voice: you did not escape, it is time to pay your dues. What a perversity to spare your life just to make you suffer even the worst fate: to take from your arms the one you love the most, more than life itself.
The other night I watched some old Paris songs from years ago. I always wanted to take him to Paris. To show him the magic of Montmartre. The lovers sipping coffee in open cafes, the “Pigalle” of my Edith Piaf, the walkways by the Seine toward Eifel Tower, with Yves Montand serenading of lovers kisses and embraces on rue de Faubourg de Saint-Martin.
And I wrote a song for you. Not really a poem but aptly a song to be sung, not to be read in silence. A song to be screamed to the Fates.
But your eyes –
they won’t go away!
They still let me see,
they look through mine.
Your eyes –
they are still in me.
But your arms –
they won’t go away!
They still touch me,
they embrace my body.
Your arms –
they still feel me.
But your lips –
they won’t go away!
They are warm, they tremble
when they touch mine.
Your lips –
they whisper: we remember.
I am blind without your eyes,
I can’t feel without your arms,
can’t breathe without your lips.
Without you my soul is void,
without you my heart is longing.
(B. Pacak-Gamalski, April 2024)
Yesterday I went to our Fort of Love in Lower East Chezzetcook. Took my folding chair, and my camera and crossed the narrow channel of fast-moving water separating the meager and rocky beach from the very secluded sandy outlet by a point called Miseners Head. Must have been low tide time as the icy cold water didn’t even reach my chest. Even during late summer last year, it was a desolate spot, seldom anyone ventured there. More or less it was my own private beach nestled between the ocean and a deep massive lake called appropriately … Big Lake. As I emerged from the water on the rocky edge of the dunes, two eagles startled by the visitor circled above my head. They must have been scouring the dunes for big crabs, which are plentiful there, or for lonely seabirds.
Went straight to the same spot as last year. The dead tree was still there, but winter storms took all the stones off my sign. Or the ocean covered them with sand brought from the deep bottoms. And it knows now our story. The bottoms of the ocean know the story, a Story of Love, Despair and Loss. The crossing whales sing the story and carry it back to the shores. To desolate inlets, rocky outposts, and small islands. When the sun sets down behind the horizon, the sirens sing the song to the passing wind and the stars, and the stars shoot beam of light across the Celestial Meadows of Space. Story of Love Stronger Than Life.
I see it, I hear it. And I want, I need your eyes, your arms, your lips. Give them to me across the river separating Life and Death. Our Love has overcome the space between the Worlds.
I feel your touch again, I feel the trembling, the impatience.
They are here now, knocking on my doors, on the Gates of Timid and Fearful. Gates of those, who are afraid, nonbelievers. But the Gates will fall, as the Gates of Jericho did. None can withstand the source of the Song of Love. The only Song that binds the separate solitudes.
Come and fill my soul and heart! Come my Lover, I have waited long enough.
Maybe, just maybe, when I leave Nova Scotia, when I say goodbye to our beaches, especially that one secluded, and removed from tourists, wild beach with the Fort of Our Love – maybe then, I will take you to that Paris of Montmarte. Of lovers kisses and embraces. … and I will kiss your trembling lips, and I won’t let go.
This letter will be my last from the series of ‘Rozmowy z Johnem’ or ‘our talks’. I have re-build that fort with much larger stone and rocks, arranged a strong wall of rocks in front of it to protect it from waves. It may last longer than a year. Maybe a lonely visitor will find it pleasant. I wont go there anymore. Now John will walk with me the way we used to – everywhere together. And I will take him one day to Paris, we will go to Montmarte and at dusk I will kiss him.
[i] https://kanadyjskimonitor.blog/2023/10/04/esej-o-milosci-jej-nazwaniu-i-trwaniu/
[ii] Journal of Negro Life, publication of National Urban League in the 1920ties.
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