Brahms, Schumann and Beethoven in Vancouver

Brahms, Schumann and Beethoven in Vancouver

How do you begin to write your notes about a concert that three days later you still can’t shake off the emotions you were subjected to? Almost physical blows and assaults of the music onto your soul. A music you know so well and heard numerous times! At least you thought you did … Blows delivered not by some enormous pianist, internationally acclaimed, for many years on best stages of the universe … but by a … boy pianist (of course he is an adult, but only just by a thickness of the paper a musical score is printed on)?! I still struggle to find the right ones to describe to you the experience.

Sufficient to say, it proves that there is no musical score or concert that you can just take your seat among the audience and wait for familiar, soothing experience. For bourgeoisie vanity and eloquence. And thank gods for that.

Sunday, 26 of October in Vancouver Playhouse (Queen Elizabeth Theater) concert of Tony Siqi Yun with music of Johannes Brahms (Theme and Variations in D minor, Op.18b); Robert Schumann (Theme and Variations in E-flat major, Wo0 24 or Ghost Variations); by same composer Symphonic Etudes Op.13; Ludwig van Beethoven (Sonata “Appassionata” No.23 in F minor Op. 57); and Ferruccio Busoni (Berceuse from Elegies BV 249) – of the last composer and music I will not write beyond that point. Because … in was beyond the point to have this music played in that concert, sufficient to say in my arrogant opinion. Obviously not shared by the enormously talented pianist, Tony Siqi Yun.

Thanks to YouTube portal I was able to find Tony playing exactly the same Schumann’s Etudes Op.13. That was recorded from earlier concert elsewhere. You can see the physicality and the energy – trust me, but in in Vancouver it erupted like a volcano.

Did he made any mistakes, omissions? How would I know?! There was not a single second one could pay attention to the score – the pianist consumed you wholly, not letting go for a second.

I remember only once such a wonderful confusion while listening to a pianist. That was very, very long time ago. The year 1980, X International Chopin Festival, biggest piano competition in the world. The pianist was Ivo Pogorelić from Yugoslavia (today Serbia). He was so different than other pianista that the (at that time to the extreme) very conservative Jury did not awarded him any prize (the public did). I remember being taken by Pogorelić very much. Of course a bit jealous, too, LOL – he was exactly my age! But was very glad that great pianist (former finalist of that Competition) Martha Argerich felt the same. To the chagrin of the ultra-orthodox Jan Ekiert, who like many of his generation, saw Chopin more as a monument and Polish patriotic antiquity than the true romantic boy and young man, who had nothing to do with the official portrait/gorset assigned to him.

https://ivopogorelich.com/portfolio/home/: Brahms, Schumann and Beethoven in Vancouver

Thanksgiving in solitude – an intimate letter

Thanksgiving in solitude – an intimate letter

Thanksgiving came with crisp, yet sunny day.

What do I have to be thankful for? The anger that still exist wants to scream: the hell with you and your thankfulness: Go away, you – rober of my Love, my life.

But anger is not truly my companion, my alter ego. Even, when at times, we exchange expletives. These moments are rare and short-lived, for what I have left of my life is not worth to be wasted on anger and easy expiative words. I still hold people and places dear to my heart. Mews, parks, rivers, mountains. I know I won’t see some of them anymore, some are non-existent anymore outside of my memory. But … what is truly more real: material world or world contained within ourselves? They used to co-exist within me in equal parts. It seems now, there is less of the outer and more of the inner.

I am almost afraid to go back to my old country, to my cherished and loved family, for I know that I will cheat them a bit – instead of becoming part of them, I will exist in a different space paralleled to their reality. Not outside their world, just paralleled. Like shadows that exist only in certain light, certain angle of your eyesight.

There is more now of what wasn’t as visible before THAT happened: my attachment to poetic verse, to good literature, to musical note. Something that consumes you, troubles you, moves you. Otherwise it is just noise of sounds or noise of words. Yes, there is a lot of just noise in so called art – let’s be honest – even great writers and composers produce a lot of noisy garbage.

Why then, there might be invisible wall between me and my loved ones? Because now it is much more pronounced, much more important to me, and I’m much less willing to hide it from visibility. It became me stronger than before. It filled that empty space left by THAT.

There is always a chance – let me be a clairvoyant about my future – that things will change, that someone will claim that space. Yet, I doubt it very much (and the accent is pronounced strongly on the ‘very much’); first, it is true without any doubt , that is is simply much harder at certain age to offer oneself to someone; second – if I am willing to get involved in a flirt, I am almost shut off from willingness to romantic attachment.

Odysseus

Love was always a mythical and mystical idea living in my soul since very early youth. Not just romance – a love overwhelming, all-powerfull. Many people did dream of it, many are and many will. Few will be successful. Such love is not easy, to a point that, at times, it could be overwhelming, too encompassing and like powerful boa-constrictor. You constantly travel between Elysium and Hades. You are on a boat on Aegean Sea, the starry skies at nighttime are pure joy and awe, but that sea could and will become stormy beyond your endurance and you are pleading with gods to let you return to land and never sail again. Odysseus will be my witness to the truth of this story. (image to the left from Wikimedia Commons under a licence: By Aison – Marie-Lan Nguyen (User:Jastrow), 2008-05-02, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=4019222

Where were we? Ach, Thanksgiving on sunny and crisp day in Vancouver in 2025. Couldn’t just sit at home and didn’t want to impose on someone’s genuine thanksgiving atmosphere.

Took my camera, my notebook and went to OUR city, city of OUR love. A long walk through streets and places we used to walk together. Reminiscing how it was before THAT. Getting ready to say again ‘goodbye to that city, this time my own, singular goodbye? Perhaps. And perhaps it will be the final goodbye. One more love locked forever in my memory, my soul. Another album in a chest full of other pictures albums… .

Here is the story of that day as seen through the camera lens. My, our streets, parks, cafes, beaches.

Of course, I did have my little dinner at my Melriches Cafe on Davie Street. It was a Thanksgiving Day, after all. And I took out my notebook from the backpack and I scribbled these words. Looked at the other chair at my table. It was empty.

The Valley of Death in an ocean of affluence – Dolina Śmierci otoczona dobrobytem

The Valley of Death in an ocean of affluence – Dolina Śmierci otoczona dobrobytem

Dolina Śmierci – tak można nazwać samo stare centrum Vancouveru. Nie, nie te przy pięknym nadbrzeżu Convention Centre, gdzie milionowe jachty lśnią hebanem i kolorowymi żaglami; nie te wokół cudownego, majestatycznego Stanley Park; nie te na urokliwym, jakże przyjacielskim Westendzie;  nie te nad 1, 2 i 3-cią plażą, nawet nie te przy ruchliwej, zwariowanej i uroczej Commercial Drive.

Te w starym centrum handlowo-komercjalnym, u zbiegu poważnych i statecznych arterii z licznymi hotelami z solidnej cegły i kamienia, przy starej, rodem jak z Manhattanu lub Londynu, Bibliotece Carnegie.  Zaraz za Pomnikiem Nieznanego Żołnierza, dwa kroki od uroczego Miasteczka Chińskiego (China Town), dwa kroki do spacerów i alejek wokół False Creek i Planetarium (Science Centre).

               The Valley of Death – how else can you call the old commercial centre of Vancouver? No, not the modern one alongside the Convention Centre, with the view of North Vancouver,  with streets and elegant passages leading to majestic Stanley Park. Not even the slightly abandoned but still full of nice attractions Granville Street. Certainly not the most livable in entire centre of the city West End, the three beaches, Davie Street.

No, not these neighborhoods. I’m talking about the old commercial part of Downtown. The one, where the old main arteries meet together: Hasting, Powell, Cambie, Main. One around the massive Carnegie Library and Pigeon Park with the Cenotaph. Cenotaph – a place we remember those, who died in defense of Canada.

But people still die in that neighborhood, in very big numbers, every day, fighting the losing battle to stay alive for one more day. Most likely, while I am writing these words, someone dropped dead on the pavement there, likely someone I have passed on the street few hours ago. Statistics tell that five of them every day, one hundred fifty five every month.  It is like Covid-in-perpetuity, like AIDS in the 1980’ in New York, in San Francisco.

One can say with an uncomfortable sadness: they brought it upon themselves, their lifestyle choices brought it upon them. But the truth is none of them wanted to die, when they took their first morphine, heroin, fentanyl. There is so many more ways to kill oneself faster, cheaper and without prolonged suffering.

Stoją tam potężne stare gmachy hoteli niegdyś pełne przyjezdnych, marynarzy, turystów; każde z popularnymi – niegdyś – barami, pubami, po drugiej stronie ulicy (jednej z najdłuższych i najbardziej używanej) równie solidne kamienice mieszkalne, na parterach oferujące sklepiki, zakłady rzemieślnicze. Sam niegdyś coś tam kupowałem. Dziś to wszystko jest martwe lub tak żywe, jak staruszek, który właśnie otrzymał od kapłana ostatnie namaszczenie …. Jeszcze żywy … formalnie.

Nigdy nie była to łatwa dzielnica. Pewnie nie była łatwa zanim ja tu się pojawiłem w 1994. Ale była mimo to funkcjonująca. Dziś jedyne, co tam funkcjonuje, to oczekiwanie na śmierć. Wpół zgarbioną, ze spojrzeniem gdzieś poza światem realnym, na krawężniku w zaśmieconym przejściu między budynkami. Ona jedna pamięta o nich, przyjdzie po nich. Mają po dwadzieścia lat, maja po dużo więcej, ale trudno to kreślić. Starsi użytkownicy tych narkotyków wyglądają inaczej, nie mają normalnej kadencji wieku. Może ten mężczyzna, który siedząc pod ścianą na chodniku i właśnie siusia pod siebie ma lat sześćdziesiąt, może tylko czterdzieści? Zgięta wpół kobieta może być kogoś starą babcią, lub kobietą pod czterdziestką. Poza tymi właśnie najmłodszymi, niektórymi atrakcyjnymi i ładnymi – wszyscy mają tu jeden wiek: wiek śmierci.

               I didn’t go there looking for answers, or to offer, one of thousands offered before, simple solution. But I needed to see it. That is Vancouver, too. My Vancouver,  my city that I love dearly.  I wanted to bear witness to that Greek tragedy. To these lives. You need to see it, you need to envelope yourself in that very uncomfortable fabric of decay, grief and sadness.

In the last ten years 58000 people died of it. Currently, every month about fifty five That is a fair size town. A town that just disappeared – with all its inhabitants.

               Dolina Śmierci otoczona zielonymi wzgórzami życia w jednym z najpiękniejszych i jednym z najbogatszych miast na świecie. Być może to jest najsmutniejsze, najtragiczniejsze.

The Valley of Death surrounded by affluence of one of the most beautiful cities in the world.  A city I love.  And it hurts deeply.

Alone – state of being

Alone – state of being

You did talk to me last night, first time in a while. Yes, it was a strange night, followed by strange day. Or was it the other way around?  When you are alone, without a set schedule or watch, things do get mixed up easily. Dates especially: Mondays become Fridays, Fridays Tuesdays. So what happened to Wednesday, you ask? Who cares what happened to Wedneday, perhaps I left it on a beach, or on a bench in some park? Maybe it is still in the shower when I saw it last time I was taking a shower? What? Do I not take a shower every day? Maybe not, maybe sometime I take a bath, who cares? You really are asking way too many questions and it is my story anyway. Be quite, just listen.

No, not you, Babycake – I’m talking to my alter ego. You wouldn’t ask such stupid, mundane questions.

But the day or the night when I was still in bed, when I was sleeping, I dreamt of you, I talked to you. Have not done it in a while. I thought that you just let it go, these talks of ours across the boundaries of life and death. Thought maybe there is some allotted time that you can do that and maybe you have used it up. I don’t know. Remember? I am the one still left alive, never been consciously to the other side.

None of it is important really, anyway. I have dreamt of you in my sleep. It woke me up and there you were, next to me. No, I couldn’t see you, but you were there talking to me, you were saying something important.  You said that I have to understand that I am alone. That adjective ‘alone’ stood up as a mountain, a wall impregnable, forest too dense to walk out of it. I was getting used to be ‘alone’ in an adverb form.

Since I came back to our home, our former life here, in this city, this province, I have become very busy in many aspects: walks, friends, beaches, concerts, plans. It was just hard to go back to our home, our street. So I did it very seldom, hoping that it will allow me to function as normal as possible. And it did. Had evenings in bars, laughter, maybe a flirt or two. It seemed normal, I was spared any regrets. It was almost as I would finally get across that invisible line of Doctor Time, who heals old wounds; whose grief becomes first bearable, then transforms itself into a memory. Memory that is sad, but also happy that we did have our time, we found each other among the millions of people. As I was told many times, that it will get easier.

You think that was an expectation too easy, perhaps? I am not, after all, just a single guy ready for the picking and ready for harvesting. Is there anything wrong with it, isn’t it logical, practical?

I have reached to my writings of the early days after you were gone, to the first winter after you were gone and my constant visits to the gravesite in Pictou. Yes, that old ancestral town, where we were going to build our home, and spent the rest of our lives in that home.  We did not.

(notes from my writings after John’s passing by the end of November 2022)

               One year. It is hard as hell. Came to Pictou to spent time on the cemetery where we put your ashes. It’s windy, very cold. Desolate place. There was no one else there, on the cemetery. I know – it is only a stone with your name on it. Yours, your parents, and your baby brother you never had a chance to know. And now, there is also your oldest brother Fraser, who was laid there just few months ago.

Cleaned around a bit, threw away old winter flowers, and fixed things. Fixed things? How to ‘fix things’? Nothing can be fixed, when everything is broken.

Yes, I know that you are not there, not under the ground. You are with me. Forever. I have engraved on that stone myself that you are forever in my memory. I looked at the letters and smiled. In my memory, really? That’s what it all came to? Our Love, our life: to be remembered? How silly words could be, when they try to describe emotions, feelings. But still hoped that many years from now, when all of us, who knew you and me, would be gone – a stranger would wonder to that gravesite and he would think, that the guy who is buried there was indeed ‘non omnis moriar’, that part of him lived in that other guy’s heart. Nice thought.

You and that Love of ours are engraved not on the stone, but in my soul.

Me? I don’t remember who I was before I met you. I was just waiting. Waiting and searching for you – and I have found you.

               Now, now it is almost three years later. I am here, back to our good life on the shores of the other ocean.  Were we had home, a nest, were we had dozens of friends, people we cherished and who cherished us. Some were common, ours; others were exclusively yours or mine.  The two halves of Us were surprisingly very independent and strong, if only by the constant knowledge that the other half is there to make it whole.

I don’t have that knowledge anymore. The other half is gone, it is just me left. The many people I have known, and who sought my presence are still here. Not all of them, granted. Some have left either this life (as you), or this city. But some are still here. None seem to really need me. I am not sure I need them. Of course there is some curiosity, some friendly waving of a hand: how nice to see you again, you are looking good … and so on. I thought that I would need to search for them myself, that I would want it very much. But if I’m always finding excuses and ‘important things’ that prevent me from doing it – am I really?

I have one important friend and strangely enough one with the shortest amount of time we spent in this city before we left for Nova Scotia.  Less than a year, I think. After my dearest nephew had to go back to Poland, but still this young and very mature nephew was my angel in the first month after John was gone. Then my niece with her husband and son came to stay with me. But he, that younger friend of mine from Vancouver somehow helped me in the dark months after I was left alone in Halifax. The rest seemed like eternity. An eternity of being in hell, or waiting for the hell’s gates to be open to swallow my world. At these dark times that younger friend kept me connected to the world and people by phone. Our long conversations were instrumental of me getting the skeleton of myself back into me.

So I did return. To the place of Our home, our happiness. The places somehow were the strongest magnet for me. I submerged myself in going alone, for days on end, on long walks through parks, streets,  squares, building  were we lived, were my mom lived, were I was with my sisters, my nephew and niece. Places were calling me. Yes, places, much more than people.

I think that we all have these special places, sometime in many countries, on different continents. Special places that act as an anchor of ship of life. Where we can drop that anchor and stay safely in some magical Bay of Memories.

It is also a time to untie that line across the sides of our two separate boats: mine and the one belonging to my younger dear friend. He has journeys to make across the sea himself. His journey, not ours. That is also a part of me being alone. My boat is rusted a bit, engines are old. It will still make it though, the last long sailing, perhaps passing the Cape of Hope (not the Cape of Horn), back to original shipyard of its maiden voyage. Then I will rest.

After that rest, I will go alone on many walks to many places (some might not exist materially anymore, but will in my world) that will call me. Solitary walks. It will be like existing in two different dimensions.

One day, No, not in my sleep, perhaps suddenly, out of the blue I will see you taking the same trail or road and walking toward me, and I will stop being alone. I do hope so. Even in a faint split second before the big Nothingness.   

Part II of things lost, but found later

Part II of things lost, but found later

My previous post In Polish dealt with my panic, after I realized that I have lost two days. Can you imagine the truly cosmic consequences for the future if two days were really lost?! Entire galaxies might have never been formed, civilizations not born.

But that was not as tragic (or comic) the other day, when I realized I have lost a poem. My own, and one I was certain I have written. I have checked all my notebooks – there is unfortunately a big array of them lying on the tables, on bookshelves, in drawers. Hardly ever my poems are being written originally on a computer or typewriter (yes, I am old and used to have and used typewriters, the first one was not even electric, LOL). But the poem was nowhere to be found.

I was certain that I wrote it yesterday while being on a rocky beach in South Surrey. It was low tide in the massive Mud Bay. That water retreated quite a bit and exposed very shallow patches full of little life creatures in it, as in any healthy sea.

I was sitting there sun tanning and observing absolutely crazy dance-ritual of eagles helping themselves to this amazing sea buffet. That observation led me to writing right there a poem about the eagles, therefore it means that I had with me one of my notebooks. Another peculiarity of mine is always adding a date of my writing. The date connects it to indexing it, but – for myself anyway – opens an emotional connection within me with particular time of my life, particular place. Hence, when I rummaged through my notebooks I didn’t bother reading the text; instead I simply quickly glanced for the date ‘June 08, 2025’. And there wasn’t anything with that date in recent entries. Zilch, zero. The last entry in a notebook I suspect the most, had a date ‘June 08, 2024’.  Yes, it even mentioned the place ‘Crescent Beach’. You would think I would realize that obvious mistake, since in 2024 I couldn’t have possibly be on Crescent Beach in Britsh Columbia. In June 2024 I was still in Halifax in Nova Scotia! Right? No, wrong! You see, there is one of the most beautiful beaches in Canada only an hour drive from Halifax toward Sambro. It is without a doubt a gem of unparallel beauty, a marvel.  It is called … Crystal Crescent Beach, LOL. I have simply not registered one world ‘Crystal’ and it created the entire confusion.  In exasperation I was left with no choice but to read the actual text under the date. Yes, it was my poem about the eagles from Crescent Beach in South Surrey.  For some reasons, when I was writing down the date, I wrote 2024 instead 2025.

A partial return to sanity was possible. And a poem was found, as you can see below.

Eagle’s joy

The eagles are dancing,

they are dancing with joy,

with abundance of life.

Shallow waters before the tide,

brings Pandora’s box of snacks:

morsels worth the king tables;

the powerful emperors of skies.

Dance! I won’t disturb your joy,

I’m just a scribe to chronicle

your royal entourage, vivante royal,

above us, mere earthlings and scribes.

What do you see, when you look down

per chance at us, o Mighty Skywalker?

Eagles thought for a moment and answered:

We see you all like silvery fish thrown by wave

on the rocky beach. Your pink skin blinking

as a stardust, your eyes wide open and gills

quivering rapidly like leaves in the wind.

Trying to live a day longer, perhaps a season.

Having received their answer, I gathered

my belongings from the beach: folding chair,

towel, sunscreen, my notebook and sunglasses.

With my backpack full, I began heading home.

Two young naked boys under blue umbrella

were just finishing their picnic. Like a scene

from summery watercolour in a tiny gallery

somewhere in Dover on an English Channel.

Maybe it was Hastings, or Brighton, who knows?

The boys waved to me (from the watercolour?)

and yelled: finished already? Stay! It’s still early.

I laughed at them: No, darlings, I’m done.

But you are not. Enjoy and savor every second of it

A pair of eagles circled above my head approvingly.

Dwa Domy

30 kwietnia, w New Westminster. Jestem za barem. Sam, ale z kufelkiem piwa ale. Dawno sam nie zaprosiłem siebie na piwko. Jedno wystarczy – i tak mam niezłe zawroty głowy po wypadku i bez pomocy piwa.  To jedno wszak smakuje wybornie, a bar praktycznie po drugiej strony ulicy. Wieczór ciepły, bywalcy chyba starsi ode mnie ode mnie próbują swoich sił przed mikrofonem. Z rezultatem podobnym do opery sprzed kilku dni: jedni świetni w country songs, drudzy głosu może nie stracili, ale muzykalność zdecydowanie, a jako że muzykalność trudno stracić, to pewnie nigdy jej jednak nie mieli. Co jest zupełnie OK – można muzykę lubić bez zdolności muzykalnych.

Ktoś gra bardzo ładnie na harmonijce, a to instrument wdzięczny, choć bardzo rzadko spotykany na koncertach muzyki poważnej. Letni wieczór w popularnym barze. Bywałem tu kilkanaście lat temu, bywam i teraz. Miło być na swoich kątach.

Rekuperacja powypadkowa nie idzie ani do przodu ani do tyłu. System zdrowotny przestał działać lub działa na zasadzie łutu szczęścia i przypadku. Trochę lepiej dla tych, którzy mają własnego lekarza domowego. Ja nie mam. Zabawne jest, że kilka tygodni temu dostałem pismo z Nowej Szkocji, że jestem teraz stałym pacjentem doktora X … rok po przeprowadzce z Nowej Szkocji nad brzeg drugiego oceanu, z drugiego końca kontynentu. Może jak wjadę do Polski za rok-dwa, to dostane pismo, że mam stałego lekarza w Vancouverze. Wizyty będą darmowe, ale dojazdy koszmarnie drogie, LOL.

          Ale mimo wszystko to autentycznie piękny kraj. Kocham jego oszałamiającą naturę i jego etnicznych wachlarz z całego globu. Spacery ulicą są spacerami, jak w galerii kolorów, odcieni, akcentów. I mimo zadrażnień, ta mozaika pracuje, funkcjonuje zgodnie i pogodnie.

W zasadzie mógłbym bez problemu mieszkać w jakimkolwiek kraju, gdzie panuje demokracja (to warunek sine qua non), ale Domy mam tylko dwa: Kanadę i Polskę. Przyznaje, że bardzo różne, ale to już efekty historii. Oba są piękne na swój specyficzny sposób.

Często wszak zapominamy jak bardzo Polska i Kanada są inne niż były w swoich dawnych wcieleniach. Historia – dłuższa o setki lat w przypadku Polski – bardzo ich oryginalny kształt demograficzny zmieniła. Jeszcze ciekawszy jest fakt, że w kompletnie odwrotnych kierunkach.

To Kanada w początkowym kształcie etniczno-językowym była prawie jednorodna: anglo-szkockim w jednej połowie i francuskim w drugiej. De iure oficjalnie tak zostało do dziś, co potwierdza zapis konstytucyjny – de facto jest to jednak bardzo ciekawa językowa wieża Babel.

Rzeczypospolita od późnych Piastów była przynajmniej trójjęzyczna. Dziś (naturalnie generalizuję, bo jest kwestia Kaszubów i Ślązaków ale i te mniejszości językowe na co dzień dość powszechnie używają języka polskiego)  jest zdecydowanie językowo jednolita. Co raz trudniej spotkać nawet tak miłe dla ucha dźwięczne akcenty i gwary regionalne.

Gdzie jesteś Itako?

Jaki masz kształt portu

i skały przybrzeżnej?

Wskaż kurs moim ptakom.

Znużony jestem już

cudami światów, hen.

Gwiazdami nad żaglem

i hukiem morskich burz.

Żagiel chcę swój zwinąć

i rzucić kotwicę.

Swing

Swing

Słucham urywanej rozmowy siedzącego obok mojego stolika (stąd ‘urywanej’ a nie całą, bo słyszę mimo woli, ale nie podsłuchuję, LOL) młodego poety i dramaturga o swojej twórczości.

Mała dziupelka kawiarni o filuternej nazwie „Mood Swing”[i]. Czasami wolę by nazywała się po prostu „Swing”. Przyjść i zwyczajnie tańczyć. Ot, taki swing poety, który już dawno przestał być młody. Dziś tańczyłbym z laską, jak kiedyś Sempoliński w Warszawie (ci co mają około setki lat pamiętają Mistrza Sempolińskiego!) i nic by mi to nie przeszkadzało – tańczyłem z laseczką, kiedy nie musiałem, to bym i zatańczył teraz, kiedy muszę.

Wracajmy do tego młodego poety ze stolika obok i  jego wywodów; mówi, że chce mieć wieczór poetycki tu, a dodatek muzyki by to wzbogacił. Dodaje: i może nawet sparkles?

Ach! Już to widzę sam jego oczami: oczarowany tłum kołysze się, jak na wielkim koncercie, a w podniesionych ramionach, jak rozedrgana fala światła, błyszczą sparkles! No, ale rzeczywistość dmucha w tą wizję-bańkę i bańka pęka bezgłośnie.  

Tutaj, w tej dziupelce-kawiarence muzyka raczej tylko w formie dyskietki CD, może jedynie gitarzysta? No, niechby ze skrzypkiem lub wiolonczelistą, lub kontrabas z violą właśnie. Tak, kontrabas koniecznie i żaden alt. A już absolutnie verbotten kontralt. Chyba, że sam Cherubin: młodziutki, niewinny i nagi, ale ze skrzydełkami. Koniecznie te skrzydełka by nimi jakoś tą nagość zakryć, bo nagość to pełna szczerość, a szczerość tak przecież utrudnia poezję. Wyobraźcie sobie nagi sonet! Nonsens.

Młody poeta prowadzi dyskurs z młodą, bardzo rozmowną dziewczyną.  Z tej rozmowy mogę się domyśleć, że jest kimś w rodzaju agenta, impresario, organizatorki eventów. Pewnie dlatego mówi tak dużo. Stara się prędkimi nożyczkami słów ukrócić długie falbany wyobraźni młodego poety i jego oczekiwań. Chyba zbytecznie, zaprawdę – życie zrobi to o wiele skuteczniej.

Nagle on, widocznie zniechęcony jej kubkiem zimnej wody, zmienia temat i mówi, że jest zafascynowany serialem „Twin Peaks”[ii].  Jestem autentycznie zamurowany! To był serial sprzed wielu laty. Jego najlepszy opis to : dziwny. Oglądałem, bo mój John pasjami uwielbiał. Jeśli odcinka nie mógł obejrzeć ze względu na prace, koniecznie ustawiał VCR i nagrywał na taśmie (dla młodszych o parędziesiąt lat – VCR to po prostu urządzenie do nagrywania taśm video-dżwiękowych). A ten młody poeta nie mógłby wówczas być starszy niż 5-10 lat, myślę sobie. Więc pytam. Okazuje się, że znalazł na jakimś systemie on-line. Ponoć znowu bardzo popularne. Przyznaję, że zabrakło mi trochę czasu wówczas, by to szczerze polubić i zrozumieć na tyle na ile tą fabułę można zrozumieć, LOL.

               Widać nie byłem tak dobrym poetą, jak ten młody ze stolika obok…  A mój John? Przecież on poetą nie był w ogóle.  Tak, ale John był za to mądrym chłopakiem. Czego nie można powiedzieć o wszystkich poetach, najwyraźniej…


[i] Moodswing Coffee + Bar

[ii] Twin Peaks (TV Series 1990–1991) – IMDb

Klasa i elegancja bycia

Co się stało z naszą klasą? pytał w popularnej balladzie przed laty lubiany piosenkarz. Ale nie o tej szkolnej klasie chcę pisać. Co się stało z klasą zwykłej umiejętności bycia, chodzenia, rozmawiania, postrzegania ludzi? Rozmawiania właśnie wyłącznie o sprawach z twoim interesem niemających nic wspólnego. Taki sposób bycia, taka klasa przynosi dywidendy nieporównywalnie bogatsze od wszelkich ‘interesów’. Wzbogaca ciebie, jako człowieka. Nie jako inżyniera, lekarza, dyrektora, ekonomistę – klasa człowieka, który od świtu do zmierzchu nie nosi bez przerwy munduru.

Stolik kawiarniany, ławka w parku lub na skwerze nie powinny być amboną do kazań, nauk i ocen. Tak mało wiemy o tych, którzy nas mijają lub siedzą na ławce obok. Zakładajmy więc, że są dobrymi ludźmi, sympatycznymi, z empatią sercu. Szansa, że są faktycznie jest o wiele większa niż, że nie są. Inaczej życie byłoby niekończącym się i nieznośnym ciągiem rozczarowań i zawodów.

To też nie prawda, że klasa bycia jest klasą socjalną wyznaczoną przez poziom materialny. Klasę bycia wypracowuje się i kształtuje przez lata. To prawda, że środowisko ma na to wpływ (tu ten element ‘klasy socjalnej’ występuje) – ale jest fałszem twierdzić, że z jednego środowiska wyjdą tylko ludzie z tą klasą, a z drugiego ci bez klasy życia.

Nawet wielcy i potężni politycy, biznesmeni, znane osobistości mogą tą klasę reprezentować. Niewątpliwie miał ją prezydent potężnego mocarstwa Jimmy Carter; miał ją, zdaniem moim, papież Franciszek, miał ją polski działacz i dyplomata Władysław Bartoszewski ze swoim słynnym motto życiowym: warto być człowiekiem uczciwym.

               My sami spotykamy ją wszak codziennie w setkach, tysiącach ludzi nas mijających. Mijających niezauważalnie – a to też klasa. Ale mijający anonimowo, nie oznacza, że są inni. Jak kiedyś napisała w uroczym wierszu Wisława Szymborska:

Uśmiechnięci, współobjęci
spróbujemy szukać zgody,
choć różnimy się od siebie
jak dwie krople czystej wody
.

Szymborska też miała klasę bycia.

https://music.youtube.com/watch?v=VqhCQZaH4Vs

Link powyżej to naturalnie potwierdzenie mej tezy – wspaniały Luis Armstrong z What a wonderful world it is

Róża Wiatrów – The Compass Rose

Róża Wiatrów – The Compass Rose

Since I moved back home to Vancouver a flurry of meetings, talks and just walks trough that amazingly beautiful city took me away from my grief and my feelings of end of times. My times, of course.

But very recent accident made me hardly movable and confined to home and limited short walks in the vicinity. In the wee hour between sleep and being awake talks with those, who are gone: John, my parents, friends … And than, just a few seconds later, when you are fully returned to reality – the painful knowledge that they are just ghosts, workings of different parts of your brain. That ‘return to reality’ hurts. It is just like for brief moment you have to re-live it all again.

But it is a good reminder. You are always alone with your grief. New connections do not replace broken ones.

In the ancient times there was a concept of Compass Rose – a drawing representing major winds. In the Old Testament the winds refer to land of Elam habituated by people of the brother of Jacob. In ancient Greece that concept was known and used as an aid to safe sailings and returns in navigation and was described from Homer and later historians.

My Rose of Winds, my Compass takes me back to my shores of pain and Loss.

Róża Wiatrów, antyczna od czasów Homera i biblijnego proroka kraina Elamu, do którego wypędzeni z niej zawsze znajdą drogę powrotną.

Tak i ja znajduję po wczesnym zagubieniu, zauroczeniu, zachwycie moim ukochanym Vancouverem. Naszym ukochanym gniazdem miłości i szczęścia. Moim i Johna. Ale Johna nie ma już. Jestem ja i moja Strata, mój Ból. Niedawny wypadek bardzo ograniczył moją mobilność do powierzchni mojego mieszkania i najbliższego sąsiedztwa. Obudziło mnie to też z naiwnego snu nowych przyjaźni, odnowionych koleżeństw i związków. Spotykałem w ostatnich ‘szarych godzinkach’, kiedy już nie spisz a jeszcze nie jesteś przebudzony, twarze wszystkich tych, którzy z mego życia odeszli na stałe. I w tych momentach, sekundach tej realizacji – przeżywałem ten ból na nowo. To było bardzo trudne. I może potrzebne. By zrozumieć, że mój czas się kończy, a nie zaczyna. Że nowe znajomości, może nawet przyjaźnie nie są zastępstwem tych, które odeszły na zawsze. Czas wracać do Elamu.

Gérard Dicks Pellerin

Old tree

I’m watching the dark grey waters

of mighty Fraser River on the approaches

 in its muddy delta to North Pacific.

Noon hour, sunny and warm, circles

silvery, light filled stories on its moving

surface like on a back of huge, arched

spines of ancient fish, that remembers

ancient times before the end of times.

Light green leaves of trees lining the shores

dance in the breeze of the spring air.

They hum: we are back, we are back

from a long sleep of the winter.

We are re-born again, and not stopping

the humming, they ask me: are you?

But my green in no longer of light hue;

my roots got stuck in the autumn,

my branches are heavy of thought

and of past springs, summers and winters.

I mourn the birds that used to build nest

on my arms, sing songs of love.

One season they did not came back

and I have not seen them ever again.

I missed them, sighs the old tree.

I sigh, too.

Where are they gone, the birds of my spring?

The time comes when old trees are like old people,

alone in their solitude.

One day, they know, the mighty river will float

the fallen trunks to the edge of time,

to the ocean of primordial waters.

(B. Pacak-Gamalski, 13.04.25, New Westminster)

Róża Wiatrów

Oto jestem sam,

jak wyspa otoczona

Wszechświatem

obcych gwiazd

i konstelacji,

Galaktyk

uczuć, miłości

i tęsknoty

Róży Czterech Wiatrów.

Moje Elam,

mój dom obiecany

tęsknotą Róży,

rozebrano na cegły,

skruszone czasem

wygnań i powrotów

drewniane bele

libańskich cedrów.

Oto jestem sam.

Z twarzami umarłych

w przegrodach głębokich

podróżnych torb,

stukam laską

w kamienne posadzki

peronów historii.

Słucham pieśni płaczek

nad trumnami kochanków.

(B. Pacak-Gamalski, 13.o4.25, New Westminster)