Bridges, lake and crows …

Bridges, lake and crows …

Two stories in one. Bridges, for example. We know in Vancouver, that bridges are the backbone of our transportation. Fraser River is like an impenetrable natural border that separates two entities of our great multi-cities community: huge, deep, unforgivable. There is one equally mighty – it is, of course, the Burrard Inlet with one arm ending in Port Moody, the other in the Indian Arm fiord.

It starts with the poster-like Lions Gate Bridge – hanging over the entrance from English Bay to Burrard Inlet. Its name comes from two characteristic peaks of Coastal Mountains, resembling heads of two huge lions resting atop. Strangely enough, I have seen every morning and every evening almost identical bridge from the windows of our apartment in … Dartmouth. On the other end of Canada, by another ocean – Atlantic. It connects Dartmouth and Halifax. Drove, biked and walked across it probably hundreds of times. The similarity of these bridges was striking. Not by accident – that in Halifax and the one in Vancouver were designed by the same architect, Philip Pratley. In 1938 in Vancouver, and in 1955 in Halifax.

But for the majority of Vancouverites (that includes the majority of the multitudes of cities and town that make up the Greater Vancouver) it is Fraser River. If not for the bridges spanning the River (and a tunnel, very busy and vehemently disliked by travelers) – there would not be any Greater Vancouver. As simple as that.

Relatively new and modern Alex Fraser Bridge, oldest – Patullo, newest and impressive Riverview Bridge, Port Mann, and Golden Ears (connecting to Pitt River Bridge). 

Three of these bridges are very close to my heart: the oldest and first, Patullo; the Riverview, since I watched its ‘birth’ and Port Mann.  

Patullo – the oldest and first one to connect not only huge Surrey to Vancouver’s ports but originally to connect the USA farmers to trains and Vancouver’s ports – simply put: to international trade and shipments. Since I remember it was too old and too small twenty years ago. It outlived its purpose even before the monumental urban transformation of Central Surrey. And now, the other day, I witnessed the beginning of its dismantling starting on Westminster side.

Port Mann – seen it being build in 2012 and remember using the first, older one that was built in 1964, well before my time in Canada before. The current one is by far the most picturesque, especially when you see it from a distance – it appears like huge sails spanning the river.

Also remember, when the construction of Golden Ears Bridge finally connected Surrey and Langley toward Lougheed Highway, and across Pitt River to Maple Ridge.

/last picture – the opening of A.L. Macdonald Bridge in Halifax in 1953/

Lots of memories during my current, last sojourn in a place and land I have spent majority of my life. Thanks to my dear friend, who also likes travels, long walks – we visit many jewels of this amazing jungle of man-made structures of steel and cement and rich array of huge natural parks, beaches, protected areas of wilderness in the middle of this huge land of Greater Vancouver.

One of very dear to my heart is a vast wetland and marches of Burnaby Lake. I used to come here with my husband and my mom for long walks. But have not visited it since late 1990ties, when we moved to Capitol Hill in Burnaby, after our move from Calgary. It is sort of out of the way, tucked in a low laying valley. The other day I talked with my friend about it and he remarked that he has not been there for years, too, and asked suddenly: why don’t we drive today there? We did.

A kingdom of waterfowl and main gathering of thousands of crows for their daily ‘parliament’, that gathers here from all over Greater Vancouver. Nice, long trails for miles to walk, bike. We enjoyed it very much.

 

Vancouver sunsetting, Vancouver’s English Bay

Vancouver sunsetting, Vancouver’s English Bay

The city that was calling me gently with clear morning promising sunshine in late March. I know these calls; I have heard them many times and many years ago.

I did – dutifully – answered them then, and I answered it now. It all started with innocent trip to the architectural gem of our Main Library. While there, I finished reading that wonderful semi-autobiographical novel by Klaus Mann[i].

Few days earlier I was so taken by the soft lyricism of the young protagonists love in the fragment, when one of them, taking advantage of the other’s sleep, gives his lover a long story of their love eternal in a most evocative way, full of softness, gentle care and naked emotion, that can come only from a very young person before life gives them a lesson of hiding the power of emotions. Ah, adulthood is so cruel! And for all the wrong reasons, for it kills or silences, what is the most beautiful and within in our lives.

While reading it again in the Library – that sweetness of these feelings, feelings I remember so well, overtook me. I felt like Luis Amstrong was singing to my ear that beautiful song of his, “What a wonderful world”. Therefore, when I went for a long walk toward Burrard Bridge and further to English Bay beaches toward Stanley Park – I felt like singing and smiling to the world and passers-by.

Of course, I can’t forget to mention the start of the day, that clear morning with the promise of sunshine! I was not the only one happy about it. The Moon, despite a broad light, didn’t want to miss saying ‘hi!’ to the Sun and I waved to him from my balcony.

                I walked on the beaches with my camera, smiled to ships, the ocean and the people. A young fellow, who lives in far away Brazil was doing the same.  We joined our smiles and our amazement. A story ensued. He lives in Rio, I was there many years ago, when I was his age. We continued our walks together for long time. From the beach, uphill Davie. Long talks and walks, good company. The world is smiling, when you smile at it.


[i] “The Pious Dance – the Adventure Story of Young Man” by Klaus Mann

While wandering through the streets of our city …

While wandering through the streets of our city …

Question

So, tell me how it is,

tell me now who am I?

Where I am and why?

Time is timeless, so they say,

with no beginnings, no end,

why was it short for us?

It begun one day, to end

with no excuse offered?

The flower was sentenced

to flourish with vibrant colours

only for one day, one night.

Why the gift begun a sentence

so cruel, that I was left wandering,

weeping, dying slowly, to be resurrected

at night over and over again?   

Years have passed and the broken

Sisyphus still pushes the boulder

of broken promise to the top of

the Mountain of Death, which

many called Life by mistake.

You, the false cartographer of maps!

Who gave you the power, the utter

arrogance, to name the Columns of Men

by erroneous name and promise?

What is the geography of humans

without the light, the love, the need

to be with other, who makes them whole?

So cruel is your ungodly design

to mark two separate frail human

bodies and fuse them into one soul –

than separating them by sending

the Angel of Death to take one only,

while leaving the other to be alive

 in grief overwhelming and soulless.

B. Pacak-Gamalski, Vancouver, 19.02.26

Fog and Sun in Vancouver in February

Fog and Sun in Vancouver in February

A walk with glorious sun locked in a deathly battle with thick fog coming from English Bay over the beautiful little streets in Vancouver’s West End.

Battle of Light and Darkness? No, no, no! Nothing of that sort. Fog has nothing of darkness. Au contraire, mon ami. You see, fog is full of light, light that is powerfully condensed, weaved very tightly onto amazing arrases, where you can see all the shadows of shapes, a promise of something that might become. Reality not fully realized, not fully described. A poem, from which some of the ink evaporated, bleached out and you can see only some of the words – the rest of the lines, the stanzas are left to the reader’s imagination. Ha! You are being allowed to finish someone else’s poem; composing anew a song you remember only faintly, fleetingly, few cords perhaps?  Painting a picture that another painter only sketched with just few strokes of a pencil?

That is fog: a promise of shapes, colours. It asks you to be brave in your own creation, your own enormous palette of colours, sounds, and visions. To be a god! Creator! From dust to form. Not a mere believer, follower. Take the steering wheel in your own hands, follow your chart to navigate to lands and islands unspoiled, with birds made from rainbows, beaches with sand made of pure white pearls and fruits, that taste like lips of someone that you love.

               Fog – the master of deception or Demiurge of Land of Dreams?! 

Me? I will take my walk through my Mole Hill by Nelson Park in West End. But remember: a Mole Hill could easily be someone’s Mont Blanc. In a fog, of course.

Loganberry

Loganberry

Every boy and every girl need to have a poet, who reminds them of the power of love. Something they absolutely must be certain of, something that hangs like a heavy, sweet fruit from the low branches that you are forced to reach, pick in your hands and sunk your teeth into it. Absorb the sweet aroma, let juices flow from your lips to your soul.

Let me be the poet, who will take you to the garden and show you the delicate foliage of the ancient orange shrubs and their sweet berries. The loganberries.  

A sweet logan berry

hangs from your lips

like a promise of heaven.

What is heaven, you ask?

Heaven is like a kiss,

silent yet powerful.

Heaven is red like

quivering lips of logan berry.

Heaven is when you are

becoming someone’s berry.

A red, live, pulsating Loganberry.

How would I know, how would I dare to foretell stories like that? Because I am a poet and if poets know anything – they do know love, her ways and her magic. Poets know long walks by the small banks of streams, where the berries are plentiful in late summer evenings, and they see there pairs of young lovers picking the berries and placing them in the mouth of their beloved ones. Poets, being poets, go home and write a poem about it. After all, that is all they know how to do. Hoping to explain the ways of love to some young boy or girl. They are like the loganberry – all they know is how to grow and become sweet and inviting, hoping that some girl or boy will pick them and taste them. The rest is mystery like the morning mist climbing the shores of small stream.

Mann, Pandemonium and Tadzio

Mann, Pandemonium and Tadzio

Reading again the masterwork of Thomas Mann titled “Death in Venice”[i] took me to the edges of my agony of Love and Desire impossible. Of dreams and fears realized intellectually, but holding you emotionally as a powerless prisoner nonetheless.

Where is the line, the edge beyond which we are too weak to venture – and yet, we are crossing the borders all the time, becoming the papier-mâché dolls, whose strings are pulled by the demons and angels alike? Love and desire are narcotics, and we are the addicts. It is an ageless addiction, timeless struggle.

Mann’s writing is his Shakespeare’s “Romeo and Juliet”, his Dante’s ‘Divine Comedy’. But don’t be fooled by it as the only cornerstones of the emotional battles for they are also rooted in “Tristan and Isolde” of Wagnerian genes (through the musically insane “The Ring of Nibelung”). What is interesting is the fact that Wagner, due to his own romantic upheavals and problems, had to escape to … Venice to finish composing ‘Tristan and Isolde’. If Wagnerian music is added to the old Germanic mix (certainly known to Mann), than we can’t escape the influences of Valhalla! You imagination easily conjures the terrifying images of heavy hooves of heavy horses crossing the Alps, steam and foam escaping their nostrils, as they are marching to plunder and murder Greco-Italian vestiges of elegance and order.  They are not galloping to discuss the politics and laws on Capitol nor the philosophical counterpoints on Agora in Athens. They are galloping to wash Rome and Athens with Roman and Grecian blood! The horses of Apocalypse at the end of times[ii].

                Let us go back to temporary time. Here and now, to Moodswing Café in New Westminster[iii]. Pandemonium in my café, where I go on almost daily routine to write and to have my coffee. Always the same coffee – almost boring – but also a small sign of some order in my chaotic life, some ordinary habit. I came for that coffee and to finish reading Mann’s short story from Venice.

And I encountered pandemonium in that regularly quiet café: hardly a standing spot anywhere. Throngs of bodies, all sitting places taken. Gathering of folks from Rainbow Coalition.

By my table just a solitary fellow. I push few standing gatherers aside and sat by that table next to him. I placed my coffee there, ordered a snifter of wonderful Hennessy, took out my notebook, a pen and put it all on that little table. There was certainly very little place left for this fellow and his drink. He looked perplexed and asked me (without a hint of malice or any anger) very simple question: are you going to write in all that noise and crowd? I gave him a perplexed look and answered without any malice neither: Why wouldn’t I? I am w writer and writing is what I do, I’m not a mingler or joiner of crowds. I write here, by exactly this table. He seemed almost amused by my answer and continued slightly ironically: I didn’t realize it was your table (with the accent on the word ‘your’), should I move somewhere else? I completely disregarded the ironic tone of his question and turned my eyes to his face answering in matter-of-fact tone:  Why? That is very kind and very understanding of you. Thank you very much. For a second or two he was speechless and shocked by my candor, than stood up, looked down at me and asked tersely: are you satisfied now? To which I promptly and honestly replied: But of course! And once again – thanks for your understanding. And I returned to scribbling my notes, as he walked away with a shrug of his arms. You can’t blame me for being honest.

Mann conjures all the mastery of Spanish painters in a Goya’sque[iv] style of the turn of XVII and XIX century: the elongated faces, the eyes full of mysticism or terror as in his famous painting ‘Saturn devouring his son’. He sees and feels Albrecht Dürer[v] depictions of Hell few hundred years prior to Goya.The writer is an opposite – one would assume – of terror or chaos. He is from elegant and very bourgeois Munich – just stone throw away to majestic and also stately Austrian Alps. Yet … yes, there is always an ‘alas’!

Suddenly the elegant world of Herr Aschenbah[vi] collapses. From the stately Bavarian city, the elegant slopes of Austrian Alps, from the elegant hotel in Venice, he takes us to the rocks of Tartarus[vii]. Ang[viii], an ungodly proto-Germanic god dons the mask of hoofed Pan[ix] leading a dancing caravan to the edge of desire, of want unfettered by ethics constructed over millennia to constrain lust and primordial instincts. Greed to posses the ‘other’ – his or her body. Almost like today in my café: noisy, talkative, music pulsating, vibrating, desires shielded from being recognized, yet existing, breathing, sweating.

Mann-writer dons the coat of suitor-painter. Hoofed Pan leads Bests and human folk to dance macabre, bodies twisted by primordial instincts of need and warm mist.

Gustav von Aschenbach watches with fascination, yet with terror, as the body count in diseased Venice climbs. Bu so does the throngs of strange animalistic crowd descending from the slopes of the mountains.

I am myself getting tired of Venice, of the sound of hoofs, strange creatures and I leave my café and go to my apartment shielded from all the pandemonium. Leave Tadzio, leave Venice and Valhalla, leave Thomas Mann and his desires. Adieu to all, I am off to bed.

                Next day. I left and slept. But gods, the hoofs, the desires beautifully-innocent and the animalistic – they stayed up, waiting for me to finish their story.

Went again to Moodswing Café. All the creatures and characters from the book waited for me. Why should I write your stories? Because the reader?! What more does the reader need to know? An orgy in Elysian Fields[x]? Eurydice turning her back to Orpheus? The River of Forgetting?

No! I have much darker future to foretell you. On my own will, not forced by powers untold.

                I wish upon you a march, a cavalcade if you will through the boring meadows of mundane, fields of ordinary days and nights without dreams. Maybe even worse – memories of youth vanishing bit by tiny bit until the Etruscan vases from red clay will dry up. You will no longer remember Alexander and his lover, whom he made himself a living god; you will not recognize young Tadzio sitting on Lido in Venice.  But you will survive. You will not die there. You will live a long life somewhere in boring Bavaria forever regretting your cowardice and asking why did you not taste the sweetness of Tadzio’s lips? Never.

Trust me – that torment is hundredfold more terrifying than sudden death in Venice. Thus spoke Zarathustra[xi]. And who would dare to challenge god? 

   


[i] T. Mann, “Death in Venice”, trans. by J. Neugroschel; pub. by VIKING in 1998

[ii] from Biblical ‘Book of Revelation’.

[iii] Moodswing Coffee + Bar

[iv] Francisco Goya | Biography, Art, Paintings, Etchings, & Facts | Britannica

[v] Albrecht Durer | Biography, Prints, Paintings, Woodcuts, Adam and Eve, & Facts | Britannica

[vi] Mann’s – no doubt – self portrait in ‘Death in Venice’

[vii] Tartarus: The Greek Prison at the Bottom of Universe | History Cooperative

[viii] ANGST Definition & Meaning – Merriam-Webster

[ix] Pan • Facts and Information on the God Pan

[x] ELYSIUM Definition & Meaning – Merriam-Webster

[xi] Thus Spake Zarathustra – Wikisource, the free online library

My Three Loves

My Three Loves

My Three Loves never left me. I have never left them, nor have I forgotten them. Through all my early years as a teenager, in an old country on the old continent, country that was greyer than the buildings sorrowing people, who lived there.

Mnemosyne

(by Dante Rossetti)

But my first love that had sprouted in my heart made it flowering, singing above the roofs of these grey buildings. The city of grey buildings, that rose from the ashes of the worst war that fell upon humankind. Yet – my first love gave it a warm embrace that belongs to the titanic Mnemosyne, mother of all the muses, daughter of Uranus and Gaia[i]. She was not the most sympathetic and meek of Titans with a slightly twisted taste in romantic escapades, after all she also bedded Zeus himself, who was logically speaking … her brother. But who’s blaming anyone? Not the Greek gods (or any gods, god forbid!) for their erotic (diss)behavior. I am merely a human, nothing more. For me then, in the grey city of my grey youth, Mnemosyne was the mother of Muses. That cleared her of any other crimes or indiscretions. Who would anyway, any other way? Surely, not when you are fifteen, seventeen or twenty! Love disregards all and any boundaries. And I was in love! Purely platonic, but fearless and furious; intellectually and emotionally on equal basis. And that love, otherwise called ‘friendship’, stayed with me my entire long life. I have never left her, she stayed with me in my traveling luggage all these decades.

My two other loves happened years after the first one. The next one happened almost unknowingly to my senses. It happened in that old country, still very much grey and poor, but on a threshold of new-found freedom, with dreams and appetites for brighter and greener fields ahead. A boy was borne of familial spring, just like the nymphs chasing after the image of Hyacinthus immortalized by songs of his Olympian lover – the God of Love Itself.  But beware of love offered by gods, my dear boy! They never end well for lesser lovers. I’ll tell you a story here, later on, in the last chapter, of the price I paid for asking for, and being granted the Love Immortal. The grief is as deadly, as the disk of Apollion that killed his lover – Hyacinthus. But wait, I take back these warnings and the words of sorrow and grief. For Love Eternal outlasts grief and sorrow. Each time and every time. Lament is temporary and is a sign of temporarily losing your perspective. If you grief losing a lover – the lover’s love will come back to you in time, for love can’t be solitary. It will seek and enter the other lover’s soul, because Love needs a nest.  

Alas, we went too far in this true fable, the allegoric story of my ordinary life and my Loves Immortal.

Boy was born in the Old Country, as I said. We all rejoiced. Remember walking with my parents, his older sister (a child herself), and the little boy in a walking stroller, a long walk through the countryside near Warsaw, through fields and meadows, to an old palace of some aristocratic imminence and a beautiful stream running through the meadows. Of course, we all loved the new boy. But I had no idea how important, how encompassing, and not always easy at all, that love would be. Didn’t have to wait very long, though, just few more years, few more of my returns to that old familial country and I knew. It was unspoken, unexplained, but very clear. She sprung not suddenly and unexpectedly, didn’t come from ‘the bolt in the sky’ (as it did happen in my last Love Eternal).

It was warmly growing inside me, flowering with tenderness. He was still a child, whom I could carry on my shoulders, as we walked through the streets of that old city that used to be so grey in my youth. But now the city was truly beautiful, transformed by modernity and embracing Western Europe. With that, it embraced the traditions of old Greece, of Zeus and Plato, and Plato’s talks with the boy Phaidros. The sweet youth, who desired his teacher, the old Socrato, and a thought that there must be something wrong with him, since his beloved teacher would not accept the gift of his pupil’s young body. But Socrates was wiser than simple desire. He knew that the boy deserves better than a tired body of not very attractive nor a rich old teacher. That in itself, without any further arguments, proves that Socrat was perhaps in love with that youth and choose of his own will a chanced possibility of better future for Phaidros. A sacrifice, if you will.

Not unlike relationship between Herr Aschenbach and sweet adolescent Tadzio, in “Death in Venice”[ii]. Sweet, tender and innocent – until one afternoon Aschenbach runs away from Tadzio to a park, exhausted and ashamed of himself collapses on a bench and hears himself saying aloud the dreaded proclamation: I love you. But once you say it aloud there is no escape, no turning time back. Ha! That ‘thing’: your desire, your dream could be the abyss of torment. Bliss and condemnation eternal.

What happened in that novella, if it happened and why, is totally irrelevant to our discourse on Love Immortal.  If you want to – buy or borrow that booklet from a library. It is not very long, but definitely it is master class of literature.

Hence – back to our story, my Second Love eternal to that boy from an old capital in Central Europe. Years (not that many in my calendar, but must have felt like an eternity in a teenager’s life of that boy) have passed and that boy, in a pivotal time of transformation into adulthood, comes to me in the New World, across the vast ocean and entire continent in search of his destiny(?), his ways through life. In short: in search of himself. At that time I was already well established, secured and totally committed and enthralled with my lifetime Love Eternal, one that consumed me happily, engulfed, and enthralled me without any hesitation. The one that was romantic and erotic. That boy from the Old Country came here exactly for these reasons, too. Firstly, he knew that I love him dearly and sincerely and I would not offer him anything that would be false, or based on pretense or judgment; would protect him, in as much as I could, from any harm that a sudden freedom can bring too.

That was the time, when my Love for that boy transformed to my Love Eternal: when he stopped being a boy from an Old Country, a nephew, for whom you care enormously – he became my Prodigal Son. Without any too strict connotation to the biblical story (of course, if needed, mistakes and transgressions would be forgiven – what proper father would not?). With another number of years the boy become a mature, well established, and educated man. For any parent, biological or emotional, it sounds like a solid reason to be proud. I am.

My Third Love

How should I name you, how should I call you, by what name? Who you are, who you were, where are you?

I can call you by my name for you are me. I can call you by your name for I am you. I can call you Love for you are My Love. Encompassing all my days and nights. Quivering like a blade of grass on summery meadow. Quivering and fluttering like my heart, when I call your name. I won’t be scared whispering to you: I love you – I will be brimming with pride, when I say it. You, who crossed the continent with me, to be with me. When I asked you, where we should settle for our sunset years, you answered: anywhere where you are going to be, because you are my Home.

When we met at the foothills of majestic Cordillera, bellow the amazing peak of Assiniboine Mountain, on the meadows flowing from the enormous Mount Temple, when we walked in the shadow of Mount Robson I wanted to hold your hand in mine. Wanted to show you how beautiful you look in the glory of these peaks surrounding you. Wanted to ask the angels floating around these peaks to come down and embrace you in their warm, godly wings. Just as I would, if I was a god. Maybe we were the gods? Didn’t we possess the most important attribute of deity: Love Eternal? Love that is everlasting. The Black Angel of Mercy in Hyde Park on Manhattan told us so, when we went on sunny October day to visit him.

When we walked the beaches of Northern Pacific in Tofino telling the anemones the story of our love – they danced in waves of happiness; when we walked the white beaches of Eastern Shore on Atlantic coast of Nova Scotia – the eagles danced above our heads and parasailors smiled seeing us traversing the beach.

You – my Third Love were the epitome of love, the Mount Everest of being alive. If I ever would lose the sense of smell – I would still remember the smell of your skin. If I ever lose my sight – I would still clearly see your eyes. If I ever lose my memory – I would want to not know who I am at all, because I would be nothing without the memory of Our Love.


[i] parents of Zeus

[ii] a novella by Thomas Mann

Fog in the Old City of the New World – Mgła w Starym Mieście Nowego Świata

Fog in the Old City of the New World – Mgła w Starym Mieście Nowego Świata

Continuation of my walks about with a camera in hand. Picture hunting, if you will. Of course, the term ‘Old City’ is heavy with irony, but the addition of ‘New World’ adds to it some justification. I do understand that in the Old World a hundred sixty odd years is an age of a baby, young teenager at best.

In New Westminster, December brings a lot with very foggy days and some time it combines the fog coming down from the slopes of mountains with the heavy fog flowing with the Fraser River from the valley.

An evening stroll through the main street , with the X-massy decorations combined with the New Year could be very charming. Romantic or magical. That’s how I was saying goodbye to the old year.

Powyżej zdjęcia z ostatniego w Starym Roku spaceru po starym mieście, otulonym opończą mgły i świątecznych neonów. Naturalnie, w Europie ta nazwa ‘stare miasto’ by była kompletnie niestosowna, LOL. Ale w Nowym Świecie sto sześćdziesiąt lat z okładem, to rawie antyk, LOL.

Poniżej zaś już przywitanie Nowego Roku w młodszym mieście – w Vancouverze.

The next day a stroll welcoming 2026 in younger city – Vancouver. And it does look splendidly at night time with all the lights and noise of modern metropolis.

Of Love mortal and immortal. O miłości wiecznej i odchodzącej. Year of changes.

Of Love mortal and immortal. O miłości wiecznej i odchodzącej. Year of changes.

Dec. 18.25 Moodswing Cafe

Strangeness of time

I am, I’m what’s left of us.

Me broken, stooped, and slower.

Me lesser of what were us.

Still here, still trying to be.

Submerged in constant little

battles bloodless, but mortar

nonetheless – the floor as any

battlefield strew with small

partial , dismembered corpses

of me: an arm raised here,

eyes lurking impatiently,

heaving chest, dark nipples

                waiting for your lips

                or fingertips

Monday after Friday,

daylight after dusk:

all out of their order,

timeframes, expectations.

Books opened, never read

beyond few pages, with corners

bended at their upper edges.

An old clock showing time gone.

Not winded, as it would somehow

mark the transit of space.

No shadow of you in new

apartment you never lived in.

                But come and kiss my belly,

                or touch it.

***

Rain, wind, coldness.

Christmas is coming

to wet and windy city.

Why is it coming uninvited?

What should I not buy you

as a gift? What will you

not cook for me again?

Bluish cold lights of huge

electric metal irises

stare at me sitting

at Moodswing Café.

A couple sitting behind me

laugh and touch themselves.

I smile and pretend not to be

offended by their tenderness.

But I am, of course! What

right do they have to enjoyment?

I can be not understanding,

to be angry, egoistic, to be void.

After all – it is Christmas time.

The joy, the hope … o, spare me!

Yet … I am void and alone,

empty and hopeless, silenced.

But the couple, their laughter,

their touching and sparkling eyesight

                makes me remember, feel and taste

                your kiss, touch.

****

It is so much more than silence,

emptiness and want unanswered:

the eons of nibbling your earlobes,

tasting the saltiness of your skin,

erupting hunger that was fed and fulfilled.

The Tree of Love is greenish with

it’s leaves even in the deepest

of winter; in the dryness of dessert;

the bareness of Himalayan peaks.

In the Hannukhahs of Judea,

the Euprhates of Babylons,

in the Brahmaputras seeking Induses,

and Blue Niles washing Sphinxes.

It is the tiny Elbow River

at the footsteps of Kananaskis,

where I undressed you

to marble nakedness, and

made symphony in the grass.

Our Judea, our Palestine,

our Vilno and Polesie,

our Manhattan and Piraeus,

and our tiny Bragg Creek, where

I tore your coverings off you.

                Your Frederickton and my Torun;

                Chopin and Patsy Cline.


(Melriches Cafe, Dec. 26.25)

Jesteś ciągle blisko,

choć co raz dalej.

Rozmawiamy codziennie,

ale co raz krócej.

Trudno mówić o światach,

które są obce:

                mój dla ciebie,

                twój dla mnie.

A przeszłość? Przeszłość jest tam:

za tobą i za mną.

I nigdy się nie zmieni.

Nie uleci z niej jeden dzień

i nie przybędzie jej jednej minuty.

Będziesz w niej na zawsze

i ja tamten będę w niej.

Tylko ja dzisiejszy

nigdy tam nie wrócę.

Są drzwi, do których

nie ma klucza,

które nie mają klamek.

Na zawsze zamknięte.

Z tym jest mi najtrudniej

się pogodzić, oswoić, uznać.

****

Zostają słowa biegające

nerwowo, wystraszone

od ściany do ściany,

od dnia do nocy.

Krzyczą, ale nikt

im nie odpowiada.

W ciszy toną we łzie

przemienionej w ocean.

Zimny, głęboki, bezbrzeżny.

Jak tamten, tam właśnie,

gdzie zbudowałem nasz

Fort Miłości, w którego

korytarzach i komnatach

nikt nie mieszka.

Może kraby o zmroku

tam spacerują, dyskutują.

Może za dnia przysiadają

mewy zdumione lub znudzone.

                Miłość cicha, smutna

                o zmierzchu i o świcie

                w białej sukni snuje się tam.

Za dnia skrywa się zlękniona

w gęstwie rachitycznego

lasku obok, który zmaga się

z odwiecznym oceanem,

by przetrwać jeszcze jeden rok.

    Żal mi tej miłości, że nie

   nie miała czasu doczekać ciepłej

  starości w fotelu wiklinowym,

z termosem ciepłej kawy obok.

                Prowadzilibyśmy długie

                wieczorne rozmowy, grzane

                tym ciepłem, tym spokojem.

                Może byśmy układali razem

                przednocnego pasjansa?

(by B. Pack-Gamalski, Vancouver, 2025)